Pick-Up Patterns for Continuous-Strand Weaving on Square Looms

It all started with this little patriotic heart coaster that I doodled together a few weeks ago. Then I thought it would be nice to write the pattern so that others can weave hearts as well.

Little did I realize that this would turn into an instructions series about pick-up pattern weaving using the continuous-strand weaving method on square looms, supported by seven new videos!

There are very few resources available for weaving pick-up patterns using the continuous-strand weaving method on square pin looms, and I quickly realized that there was a lot to explain before I could share my heart pattern. In this post you will find tips and tools that go beyond just one square loom. I hope that you will enjoy these new resources!

Continuous-strand weaving is typically done on looms with equidistant pin setting (the pins are evenly spread out along the sides).

For my demo I’m using the TURTLE Square, 4″, R-regular sett loom and Yarnspirations Simply Soft.

However, I’ve tried to provide instructions that go far beyond just one loom so that you can apply the principles to similar looms.

Pick-up patterns for pin-looms most commonly weave over/under three threads, though longer floats are possible. The limited number of strands to work with on these little looms and the typically thicker fibers compared to what is used on traditional large looms make 3-strand floats a good choice to show as much “pattern” as possible in a limited space. These instructions use 3-stand floats throughout to keep the demonstration simple to follow.

Now let’s start the journey:

Challenge: Square Looms with Different Pin Setts

There are no traditional standards for square looms with equidistant pin setting like there are for the Weave-It method (pin looms with the classical 3-pin grouped setting). This also means that pin setts and loom sizes vary greatly. Writing a pattern that depends on a proper number of warp and weft threads therefore is of very limited use.

To solve this dilemma I decided to show how you can make a design template for any loom. Once you have that, you can more easily adapt a pattern to your loom and design your own patterns:

  • I recommend to start with weaving a plain square.
    • On the loom, slide the fabric up as high as possible.
    • Take a picture and optionally apply a high-contrast black/white filter.
    • Save this image as a reusable image for a blank template. You can print copies and color them in or use online painting apps to mark up a copy.
    • Such a template is useful to count warps and wefts, design cross-stitch patterns, and more.
  • Next, weave a square with an all-over pickup pattern. The easiest is an all-over honey comb pattern:
    • Weave the first five rounds as usual in plain weave. Note that you could start the pick-up pattern after just two rounds, but I recommend to add a plain weave border for a nicer edging.
    • On the next round, weave U1, O1, U1, … O3, U1, … O1, U1, O1 to the end.
    • For the continuous-strand weaving method you need rounds of plain weave between pattern rounds, so weave one round plain.
    • On each following pattern row, start the same pick-up sequence U1, O1, U1, then add repetitions of (O3, U1) to the last three strands and end in O1, U1, O1. The rows are getting longer because you have more warps from the previous weaving. Just repeat U1, O3 until you get to the last three strands.
    • Don’t forget to weave plain rows between pattern rows.
    • Continue to repeat the last two rounds. The final round should be plain weave to ensure pattern symmetry throughout the square. If your weaving doesn’t end on a round of plain weave, consider skipping the last round or weaving one more round in the beginning before you start the pattern weaving.
    • Weave the last pattern row.
    • Photograph your honeycomb square and make a design template as described above. Additionally, mark the line where you wove the last row. That’s your first geometry axis. Optionally you can mark the other diagonal as well for fully symmetrical motifs and to make counting easier.
    • Use this template to easily convert pick-up patterns to your loom and design your own patterns.

Here are video instructions that show how to weave the all-over honeycomb pattern. Shown are righthanded instructions, lefthanded instructions are available as well.

Challenge: Pattern Symmetry

Take a minute to understand how patterns develop on a continuous-stand woven square.

As is is common to continuous-stand weaving squares, what you weave at the beginning of a round “copies” automatically to the opposite side of the loom when you complete the round.

This means that any pattern stitches that you weave will automatically copy in reverse row sequence to the other side of your future fabric. The final row of the square serves as the geometry axis to join the two halves.

You only design half of a square (the upper right triangle) and the rest will fill in automatically in reverse row sequence as you weave.

That makes it easy to design patterns that are symmetrical in all directions, like a diamond. You plan the upper half of the shape and the lower half will automatically copy as you weave.

See in this video how you can try this out using your new template to design a pick-up pattern:

Challenge: Weaving a Shape with One Symmetry

Pattern design becomes a little more complex for motifs that only have one symmetry axis. The key is to align the symmetry axis of the design with the last row of your square weaving. Then the same rules that are explained above apply.

To weave the heart, you will now start each row weaving differently than ending it.

Here is a chart that shows the pattern for a heart on the Square 4″ R loom (righthanded view).

Weave plain weave for the areas outside the pattern.

To easily find out the row where you need to start the pattern weaving, count the pins!

This video shows how to weave the heart shape. Shown are righthanded instructions. Lefthanded instructions are available as well.

Challenge: Using Two Colors

Any pick-up pattern will look good in a solid color, but you may need to look twice to see the pattern.

You get a much more vivid effect if you use two colors.

Weaving a two-colored continuous-strand square requires a few extra steps:

  • To get a single strand at the beginning of the weaving, start with one color at the bottom corner (closest to you) and guide up a single strand to the top corner. Think of it that you weave half a round instead of a full round. Then start the second color at the top corner and weave the next round as usual.
    This will add one warp strand to your total count. You can add that to your design planning, or weave another template, this time using two colors!
  • Change colors every round in the same manner to avoid a frilled edging:
    • At the end of a round, guide the current working yarn between the last pin that has yarn on it and the next pin.
    • Switch yarns by guiding the next color OVER the previous color (the new color “traps” the old color).
    • To start the next round, guide the new color around two pins to get ready for the weaving.
    • Weave as usual, starting with going under the first thread. End each weaving with going under the last thread before fetching the working yarn.

And here we are finally reaching the pattern that started it all!

The following information puts it all together … how to weave a continuous-strand pick-up pattern on a square pin loom … with one symmetry axis … in two colors.

I invite you to download the written and charted weaving instructions for weaving a small pick-up heart pattern on the TURTLE Square 4″ R loom.

The final video shows the weaving for the heart pattern in two colors step by step. Shown are righthanded instructions, lefthanded instructions are available as well.

Bonus: Opposite Sides with Opposite Looks

When you weave a pick-up pattern, there is no right or wrong side. You will notice that the front and the back of your woven piece look different. The floats on the front (in the example heart pattern) will show horizontally on the front and vertically on the back. If you wove with two colors, the pattern shows in one color on the front and in the other color on the back. Feel free to mix and match those sides in your project!

There’s so Much More

There is so much more to write about but I tried to keep it reasonable. I invite you to ask questions in the comments section. Making all this information fit into one blog post has been a challenge on its own, and if something is not clear or I missed something that is important to you, please let me know and I will do my best to answer.

(c) 2026 Gabi van Tassell All rights reserved.

Call For “Handspun Weavies” Photos

The TURTLEs are currently co-sponsoring Long Thread Media’s podcasts, and the new episode is an interview with the editor of the Spin Off magazine, Pamela K. Schulz.

To make this occasion special, I’d like to invite you to contribute your photos of pin-loom woven pieces or projects using handspun yarn to a slideshow that I’d like to add to this post!

If you have a photo (or more) that shows some handspun pin-loom woven pieces or projects that you made, please contact me.

I plan to add selected contributions with a mention of your name. There is no monetary compensation, but I hope that we can make this a fun event!

Please contact me by June 20th.

Here are three reasons that make pin-loom weaving a great choice for handspun yarns:

  • Pin-loom weaving is an easy and quick method to try out what your hand-spun yarn will be like when woven. Weave a piece in no time to find out what it looks and feels like, and get a rough idea what sett might work best for your yarn. Those small pieces of fabric are also ideal sample swatches for testing wet-finishing.
  • Handspun fibers are precious, and preserving even the smallest amount matters … weave up your leftovers and yarn ends into little treasures.
  • Not all handspun yarns are suitable for all purposes … pin-loom weaving broadens the possibilities of projects to make.

Here are just a few ideas for using handspun yarn on your TURTLE looms:

Beautiful Handspun Yarn!

The Lilia Shrug

Little Forest Wall Hanging

Yarn from Rwanda?

“Cold Feet” Home Remedy – A Footstool

Share your handspun yarn pin-loom story, contact me!

Swatch Me!

No matter which fiber craft you pursue, swatching is always a big topic. Why you should swatch … why people don’t swatch … and if you do swatch, what do you do with your swatch afterwards?

I’m a big swatching advocate. Simply speaking, I like to know before I spend hours and ours on crafting how a fiber will work and wash.

Pin-loom swatching results similar benefits as other fiber crafts. It takes just a few minutes to weave up a hexagon, and then you:

  • Know what it feels like to work with the yarn,
  • See if the sett is right or if you need to make adjustments or choose another loom,
  • Can quickly try different weaving methods and patterns, and
  • Get get a first glimpse of what the fabric will look like.

This is not only of interest for a pin-loom project but it may be useful for other weaving. Weaving up a little piece of fabric in no time may give a first impression of the fabric that you want to make on a rigid-heddle or multi-shaft loom. It will not replace sampling on that loom, but it may help with planning a project.

Recently I bought the Spring Taster Box 2026 from The Woolly Thistle.

I love sampling, and the collection of mostly European natural yarns sounded scrumptious.

You can watch what’s in the box in my unboxing reel on Instagram.

Using the Original TURTLE Loom in F-fine sett and R-regular sett I wove sample hexagons for each of the 13 skeins, sewed them together and blocked them.

I like to create a fabric instead of blocking pieces individually if I can, because that shows how the hexagons work together across seams.

All yarns wove up beautifully, and you can see the results in my swatching reel on Instagram.

But then I had this 13-piece, 3-row-something swatch and was wondering what to do with it. Swatches can always be part of a great patchwork blanket, but this swatch was big enough to become its own project … I decided to make a small project bag and here is what I did:

Fold the swatch fabric in half, right side facing in.

The red lines indicate where to sew the sides together. I used whip stitch.

For the handles I found some bamboo rings … they measure about 4.5″ in diameter. You could also use some rope or pretty ribbon!

Add a handle by folding the flap of the hexagon at the open edge over the bamboo ring and secure the folded hexagon along three sides as shown.

Turn the right side out, and you’re done!

The bag measures about 10″ wide at the widest point and is ideal for a pin-loom project or small (sock) knitting project. Lining is optional, but if you transport needles or small, thin items, you may want to keep them in a small Ziplock bag.

Make swatching fun!

City or Country – The Roxanne Top Covers it

Have you seen our ad in the new Summer ’26 issue of “Easy weaving with Little Looms”? The Roxanne top was inspired by the theme for this issue, which is about summer in the city or the country.

City chick over a camisole or country-style relaxed over a shirt … the new breezy top Roxanne easily styles both ways.

It just takes one pin loom and your favorite summer yarn to make your own Roxanne.

I used the Original Jewel loom in F-fine sett and Queensland Eco Twist, an elegant yarn with a natural character that is a pleasure to weave.

Weaving is easy, just plain weave.

You may also enjoy the blank charts in three sizes so that you can plan your own colors.

The assembly is unusual: Putting jewel shapes together into something wearable is a first, but the pattern provides detailed, photo-guided step-by-step instructions to master the task.

Happy weaving, and I hope that we will see a lot of Roxanne tops this summer!

Special thanks go to Gale Zucker, www.gzucker.com, on Instagram @galezucker, and Yliana Mancini, Instagram @missladybugg95, for delivering the best photos on the shortest notice.

Hello, Little Looms Summer ’26!

With some people across the world still drowning in that cold, white stuff on the ground, it is so refreshing to receive this color-bursting issue of “Easy Weaving with Little Looms”, Summer 2026. The magazine is loaded with ideas around spending summer in the city or in the country!

I had the honor of designing the Hexie Knot Mat pin-loom project for this issue, a fun table topper that is woven of the delightful DMC Eco Vita Raffia yarn.

I used two looms, the Original Jewel Loom, R, and the Original TURTLE Loom™, R, both looms in regular sett for worsted weight yarns.

This is the first published project that uses a pattern weave on the Jewel loom. An easy-to-weave twill pattern creates an interesting directional effect, just because of the weaving method that is used for this loom. The pattern becomes even more interesting when you put several jewel shapes together!

On the Original TURTLE hexagon pin loom you will weave a fun new pickup pattern that looks like a knot. The pattern originated from an 8-shaft draft that I “translated” into pin-loom weaving.

Both patterns have potential far beyond the table topper.

Once you master the mat project, go ahead and plan to use those patterns for other projects.

For example, add coasters to your summer table outfit by weaving single knot hexagons and crocheting a little border around it!

I wove the hexagon in DMC Eco Vita Raffia, shade 04, and used DMC Petra Size 3 in color 53837 for the border. Crochet one round of single crochet along the edges, then randomly work scallops in a final round.

Your imagination will be the limit: Try to organize the twill jewels in different directions. Weave the knot hexagons in yarn instead of raffia.

But let’s get back to the magazine issue for a moment …  for pin-loom weavers (and other pin looms) there are not one, but two blankets to choose from, the cutest cuddle mice to make, and a handy purse that may also serve as a perfect storage case for weaving tools.

And of course there’s so much more … that lacy hemp rigid heddle loom pattern is waiting to be sampled on a pin loom, the color scheme of the title model is stunning (and you could make such a scarf in those colors using a pin loom), that wedding bouquet band invites to dream, and Tom Knisely’s feature about the linen lifecycle is hard to put down.

For your convenience we offer the print magazine in our Etsy store so that you can just add it to your loom order. However, the best deal is to subscribe to the magazine through the publisher Long Thread Media, which will give you instant online access to now 10 years of Little Looms content.

Did you see our ad in this issue? We will release the pattern for the breezy top Roxanne on Tuesday, March 31, 2026.

Make sure to be back for that, or even better: Subscribe to be notified about new blog posts so that you don’t miss any TURTLE news!